These are photos I took in Osaka while I was there for the big summer festival. It was very hot, so I tried to spend as much time possible indoors to escape the deadly heat.
My Konica slide film failure. I think I got this roll of film from a lady of whom I bought a spinner 360 from. I don’t exactly remember. So first of all the film was probably pretty expired, never properly stored cold and for some reason I decided slide was the best choice to shoot lots of night shots without a tripod. Yeah, that’s not exactly a recipe for success. You didn’t stand a chance you pool roll of Centuria film. Enough with the chit chat bring on the photos.
You can see the heavy purple haze that I had to remove. This photo wasn’t actually as badly underexposed as my other night shots. I’ve seen this type of heavy purple tinting with expired film before and especially when cross processing. But in this case I developed them as slidefilm and holding it in my hand and looking at them with a light source they don’t look as bad as my scans.
You can really see what the underexposure does to the shadows. Trying to save the shot in Photoshop really brings out some ugly blotches. I think I could have made it a bit better with some type of noise removal program, but at this point I don’t feel like putting more effort into these images. I just have to learn my lesson and take better ones the next time.
The daytime photos turned out a bit better, but the heavy purple cast was still present and removing it left the colors a bit muddy.
The following photos I took in Silmido. I still haven’t seen the movie thought I heard good things about it. We looked online to figure out exactly when the tide is low and you cross to the island. There were quite a few people camping on its neighbour island Muuido.
It was quite foggy and moody. Too bad my photos don’t really reflect that.
I asked a friend her opinion about Silmido and she had the following to say:
a) silmido is sad
B)i didnt watch the movie (boohoo)
I went down to Osaka for their big annual summer festival. I brought along my canon SLR with some Fuji Superia 200 film. I normally use that film for my sprocket rocket because of the colourful lines it has on the sprockets, but I must say it did a pretty good job during those sunny days. This was all during a heat wave where the temperature reached 40 plus (Celsius, you American and Belizeans can figure it out yourself).
Below is a short (1:38m) video of some footage I shot of the festival.
Photos taken in Southern Spain. They are from Sevilla, Cordoba and Grenada.
I used a Canon 500 SLR with a 1.8 Canon lens and Hema (Dutch branded) 200 film.
I don’t remember why I left in the sprockets when scanning the photos but it looks okay so there it is.
Taken outside of the Mezquita a.k.a. The Mosque–Cathedral of Córdoba. I didn’t shoot film inside only digital. But I should share those photo’s, it was a really impressive place.
This was my second roll of double exposures. You can find my first roll here. It was a random experiment, I didn’t know which frames contained what text. I had better results when I did prepare and wrote which frames I had shot what on, you can see those photos here.
This was a roll of Fuji Superia 200 in my Canon SLR 500 shot around Singapore and the original images found online and shot in the dark on my laptop.
The Canon 50mm 1.8 one of my first lenses I ever purchased and one of the most recommended lenses for very good reasons. It’s a great portrait lens on a crop body and a great all around lens on a full frame body. I don’t have a full frame digital body, but I do have a film EOS body which I picked up cheaply a few years ago.
What’s great about it
Price, cheapest canon lens you can pick up for around a $100.
Very shallow depth of field you can achieve shooting wide open at 1.8. Also useful for shooting in low light situations.
Small and light, easy to throw in your camera bag. Make sure you have a good aim. Or have a floor made out of rubber. Or have the common sense to place an expensive and fragile piece of photography equipment in your bag rather than go going full out and knuckle-balling (baseball term for my non-American-continent readers) your precious thrifty-fifty into the nearest wall.
What’s not so great
Many people complain about the build quality. It is made of plastic, but I wonder what people do with lenses that that really matters. I have dropped my nifty fifty various times and it has always kept on ticking. The last time I dropped it, the front element glass popped out and I was holding two pieces of a former one-piece lens.
Immediately I turn to Google and find many other people who have done this. Everybody talks about how easy it was putting it back together even when some of the plastic inner pieces are broken. I like to think of myself of at least being equal to the average net-user and it takes me 15 minutes to put the lens back together which now functions perfectly.
The focus ring is hard to maneuver when handling it manually. This is especially the case when shooting video. But I can’t think of other lenses that handle this well, so it may be not a real piece of criticism.
When shooting wide open it is hard to keep the focus accurately. Focus-Recompose doesn’t always work well when dealing with such a narrow depth of field. But again this is more related to technique rather than characteristics of the lens itself.