I got a couple of rolls of rerolled Ilford 200 film from an online store here in Korea. I don’t know if it was the film itself or the development, but all the rolls I shot had these scratches, marks and stains on them.
These were all shot with my canon slr and Ilford 200 film.
I’ve had the Lubitel for about 6 years now and I think I’ve shot a total of 6 rolls through it. That’s a pretty poor average. I just never really got the hang of it. It is missing some small pieces in the back leading to some lightleaks. I tape it up pretty well before shooting with it but even then light still manages to sneak in. But the whole photographic process is so different with a TLR that it still is kinda fun when using it. The exposures come out pretty well even though I don’t have a lightmeter and just guess most of the exposures.
So I threw in some Lomo 100 film in the Lubitel and took it out into Seoul for some photos. Surprisingly the Lomo roll was the cheapest roll of film I was able to find on the website I normally buy my film from. I am pretty sure that is not the normal Lomo pricing strategy.
Huge Buddha statue looking out over Coex Mall.
This statue made this this great recorded chant. It gave me an ephemeral feeling.
As in most photos you can see the lightleak in the top right of the photo.
I always like the aesthetic from the square framing that a TLR produces. Using a small magnifying glass in the viewfinder makes focussing a lot easier.
My Konica slide film failure. I think I got this roll of film from a lady of whom I bought a spinner 360 from. I don’t exactly remember. So first of all the film was probably pretty expired, never properly stored cold and for some reason I decided slide was the best choice to shoot lots of night shots without a tripod. Yeah, that’s not exactly a recipe for success. You didn’t stand a chance you pool roll of Centuria film. Enough with the chit chat bring on the photos.
You can see the heavy purple haze that I had to remove. This photo wasn’t actually as badly underexposed as my other night shots. I’ve seen this type of heavy purple tinting with expired film before and especially when cross processing. But in this case I developed them as slidefilm and holding it in my hand and looking at them with a light source they don’t look as bad as my scans.
You can really see what the underexposure does to the shadows. Trying to save the shot in Photoshop really brings out some ugly blotches. I think I could have made it a bit better with some type of noise removal program, but at this point I don’t feel like putting more effort into these images. I just have to learn my lesson and take better ones the next time.
The daytime photos turned out a bit better, but the heavy purple cast was still present and removing it left the colors a bit muddy.
The following photos I took in Silmido. I still haven’t seen the movie thought I heard good things about it. We looked online to figure out exactly when the tide is low and you cross to the island. There were quite a few people camping on its neighbour island Muuido.
It was quite foggy and moody. Too bad my photos don’t really reflect that.
I asked a friend her opinion about Silmido and she had the following to say:
a) silmido is sad
B)i didnt watch the movie (boohoo)
I tried my lubitel again after a couple of years. My first roll I shot with it was unusable. That was due to using an expired roll of lucky black and white film. This time I put in a fresh roll of Lomo 100 color film. I taped up the Lubitel in order to reduce lightleaks and downloaded a lightmeter app and put it on my phone.
The end results wasn’t great. The light leaks are still there. I need more than just tape and maybe next time I will cover the lubitel in a roll of aluminium foil. Also the exposure slide is loose and moved down a couple of times leading to very exposed photos which don’t fix up well in post processing. I still have a roll of 120 film left but unsure if I wanna use the lubtiel again.
The following photos were taken in Seoul, South Korea with my Olympus Mju2 aka MjuII aka Epic Stylus.
Pretty good film. It was my first time shooting with APX 400. Relatively little grain. I will pick this up again.
A film review of Ferrania Solaris 400. Very little noise for a 400 negative film. Colors are well-represented and I can’t say much more than that. This only the second time I’ve shot a roll of Solaris ( the first one came packaged with my (Golden Half). This was all with my Olympus Mju2.
Ninh Binh, Vietnam was amazing. Small villages, farmers working in the rice fields, little kids waving and yelling “hello” as I passed by on a bicycle one day and a scooter the other. Just a couple of hours outside of Hanoi and welcome change of pace. I brought allow my Olympus Mju2 and a roll of Lomo XPro 100. As you can see the contrast is very strong. The darks are dark and the brights are very bright. There isn’t as much of a color shift but more saturation of the colors. It reminds me alot of the old Agfa CT precisa, one of my favourite films that sadly does not exist like that anymore.
For those too lazy a chunk of text
Pros: 1) No typical Xpro color shift 2) Saturation 3) contrast
Cons 1) Expensive 2) Really hard contrast easy to blow out highlights
I’m surprised the Lomo marketing department didn’t do anything more excitement with their container design. I like their other designs and I’m kinda surprised they kept this one so simple. I like minimalistic (check out this blog design) but this is bordering almost on the boring. But in the end it does not effect the photo’s in any way, shape or form, so I don’t know what I am babbling about.
The only photo in this series not taking in Ninh Binh but in Hanoi. I loved these daily used train tracks going through busy parts of the city.
My fellow travel mates I met in Ninh Binh; Two French guys and a German girl.